jueves, 16 de abril de 2015

Washington DC is all set for its Jazz Festival at nearby summer!


A few months after being appointed Musical Director of the DC Jazz Festival, Willard Jenkins, passionate and knowledgeable about our musical genre, organizer, and ultimately multifaceted in these activities, it will premiere with a lineup of first line, that portend a successful party summer in the capital of the United States of America.

Between days 10 and June 16 of this year will be performing: Esperanza Spalding, Charlie Hunter, The Bad Plus with Joshua Redman, Gretchen Parlato, Jack DeJohnette Trio with Ravi Coltrane and John Scofield, among others.

But the part of Latin Jazz will be in scene: Paquito D'Rivera, Edmar Castañeda and AfroHorn, they illuminate to Washington with his masterful touch.




Jack DeJohnette the acclaimed drummer continues with his drumsticks to the satisfaction of all his followers, who are many as it fits any style and fusion.






Paquito D'Rivera is considered one of the Living Legends of Latin Jazz, his musical ability, flexibility, improvisation, his personality, have given triumphs in the world and their productions sound wherever.

miércoles, 15 de abril de 2015

Ryan Truesdell's Gil Evans Project @ NYC CD Release Concerts May 14-17!



Composer/Producer/Conductor Ryan Truesdell
Returns to the Jazz Standard For Fourth Annual Residency With Gil Evans Project May 14 – 17, 2015

To Celebrate New Blue Note/ArtistShare CD 
LINES OF COLOR: Gil Evans Project Live at Jazz Standard 

“An unbelievable album. The band’s performance is incredible; precise and energetic. Gil would be proud of what Ryan has done.” – Bruce Lundvall, Chairman Emeritus of Blue Note Records

“4 1/2-stars. Superb renderings of some of the finest writing of the postwar big band period…. Players are uniformly excellent, but the star ‘soloist’ is the elegant ensemble amalgams that Truesdell found hiding among brass and reeds that others had missed. He makes familiar material worth hearing again. Buy it.” — John McDonough, DownBeat

Composer/producer/conductor Ryan Truesdell returns to the Jazz Standard with his award-winning Gil Evans Project for its fourth annual residency Thursday, May 14 – Sunday, May 17, 2015. The performances celebrate their triumphant sophomore album LINES OF COLOR: Live at Jazz Standard on the newly-formed Blue Note/ArtistShare label (www.GilEvansProject.com). The band will be debuting selections from the new CD, as well as other rarely performed works from Gil Evans’ catalog – including music from the albums New Bottle Old Wine, Great Jazz Standards, Individualism of Gil Evans, and more. Sets at 7:30 and 10 p.m. with an additional set at 11:45 p.m. on Friday and Saturday nights. Tickets $30 - $35.  The Jazz Standard, 116 E. 27h Street, New York City.212-576-2232. http://www.jazzstandard.com/

This highly anticipated release follows Truesdell's debut CD CENTENNIAL: Newly Discovered Works of Gil Evans, which won a posthumous Grammy Award for Gil Evans and the New York Times called "an extraordinary album.”  LINES OF COLOR – the next step in Truesdell's endeavor to reveal hidden layers of Gil Evans' musical legacy – features some of New York's finest musicians including Lewis Nash, Donny McCaslin, Steve Wilson, Ryan Keberle, Marshall Gilkes, and Scott Robinson. The CD was recorded by Grammy award-winning engineer James Farber with the live engineering team of Tyler McDiarmid and Geoff Countryman.

LINES OF COLOR was recorded during the Gil Evans Project’s annual week-long engagement at Jazz Standard in New York City from May 13-18, 2014. It consists of six newly discovered, never before recorded works (including “Avalon Town,” “Can't We Talk It Over,” and “Just One Of Those Things”), two arrangements with previously unheard sections (“Davenport Blues” and “Sunday Drivin'”), and three of Evans’ well-known charts from his classic albums (“Time of the Barracudas,” “Concorde,” and “Greensleeves”). Throughout the engagement, the Gil Evans Project presented nearly fifty of Evans’ works, most of which were performed live for the first time. Truesdell decided to record live for the Gil Evans Project’s second album to honor the essence of Evans’ music that craves live performance. “It allows Gil’s colors and the overtones of the music to sound and blend in the room in a way that you can’t get from a close-mic studio recording,” says Truesdell.

"Live recording captures this intangible energy that’s created when music is performed for an audience. It gives listeners a sense of the magic that happens when the notes are lifted off the page by these amazing musicians.”

The eleven selections that make up LINES OF COLOR represent everything you hope for in a live recording: a beautiful sound, a lively, involved audience, and precise and inspired performances of remarkable music. Of this collection, six of the charts were originally written during Evans’ tenure with the Claude Thornhill orchestra, including never-before-heard arrangements of “How High the Moon,” “Avalon Town,” and a rare Evans original composition, “Gypsy Jump,” written in 1942. A fun tune with an unusual 36-bar form, “Gypsy Jump” seems to show a slight influence from the “Arabian Dance” from Tchaikovsky’s Nutcracker, also arranged by Evans for Thornhill during this time. “Can’t We Talk It Over,” a gorgeous ballad from the Thornhill Orchestra’s late 1940s repertoire, illustrates Evans’ strong bebop influences as evidenced by a direct musical quote from a Charlie

Parker solo. It is a wonderful feature for the Gil Evans Project’s resident vocalist, Wendy Gilles. Bruce Lundvall, Chairman Emeritus of Blue Note Records said, “Wendy has an amazing voice which is a perfect fit for this music.”

Two charts on the record represent the middle of Evans’ career; one of which he and his band never recorded, and only performed once. In the spring of 1959, Evans and his orchestra played the famous Apollo Theater in Harlem, sharing the billing with Dinah Washington and Thelonious Monk. For this concert, Evans chose to revisit a few charts from his past, including Cole Porter’s “Just One of Those Things,” which was based on the arrangement Evans did for his first album as a leader in 1957, Gil Evans + 10. Ever the reviser, Evans took the opportunity to do a bit of rearranging as well as re-orchestrating the chart to fit the instrumentation for the concert. The Gil Evans Project’s first-time recording of this great Evans arrangement features incredible solos from Steve Wilson on soprano, trombonist Ryan Keberle, and pianist Frank Kimbrough. The other tune from this era is Evans’ great adaptation of Bix Beiderbecke’s “Davenport Blues,” originally recorded on the 1959 album, Great Jazz Standards. “I was ecstatic when I discovered Gil’s score to “Davenport,” says Truesdell. “There were four pages in the middle of the score that were omitted from the original version. I’m thrilled we were able to record the entire chart as Gil first conceived it.” Rather than imitating trumpet soloist Johnny Coles’ definitive performance on Evans’ Great Jazz Standards album, Truesdell decided to take a slightly different approach. The slower tempo and Lewis Nash’sheavy, slightly dirty swing feel emphasizes the bluesy elements and perfectly articulates Gil’s hard-swinging rhythms. “I was blown away by Mat Jodrell’s performance; he poured every bit of his soul and personality into the solo and really made it his own,” says Truesdell.

Rounding out LINES OF COLOR is a collection of tunes from Evans’ output in the mid-1960s, including the Gil Evans Project’s dynamic renderings of “Time of the Barracudas,” and “Concorde,” which both first appeared on theIndividualism of Gil Evans recording. “Greensleeves,” originally arranged for guitarist Kenny Burrell, receives a fresh take from trombonist Marshall Gilkes, whose unparalleled tone and inventive melodicism uplift this familiar tune and Gil’s singular writing.

With LINES OF COLOR, Truesdell has solidified his reputation as one of the foremost Gil Evans scholars, while leading a band of industry giants in an historic and invaluable undertaking. Picking up where the Gil Evans Project’s 2013 Grammy award-nominated album CENTENNIAL: Newly Discovered Works of Gil Evans left off,LINES OF COLOR is an exciting glimpse into how Truesdell and his critically acclaimed band are fulfilling the most crucial aspect of his vision: to bring Evans’ music to new ears, and to extend his legacy into the 21st century.

Available on iTunes and at www.gilevansproject.com


Braithwaite & Katz
Ann@bkmusicpr.com

jazzglobalbeat@gmail.com

martes, 14 de abril de 2015

Han Bennink and ICP Orchestra celebrate recent CD "East of The Sun"


HAN BENNINK and HOLLAND’S WORLD-RENOWNED ICP ORCHESTRA 
CELEBRATE RECENT CD EAST OF THE SUN

With 13-Date US Tour May 2 - 17, 2015

"And the Instant Composers Pool Orchestra, from Amsterdam, mixing swing and bop (including Herbie Nichols’ ballad “Spinning Song” and Bennie Moten’s “Moten Swing”) with conducted improvisations and free jazz. But all those ingredients need quotation marks. That nine-piece ensemble, a dynastic family going back to the late 1960s, has some idiosyncratic and brilliant soloists, including the drummer Han Bennink, the saxophonist Michael Moore and the cellist Tristan Honsinger; they are scholars and physical comedians, critics and joy-spreaders."  – Ben Ratliff, New York Times reviewing group’s January 2015 performance

“This is fabulous music - anybody with the slightest interest in what is so good about jazz at its joyous, inventive best should take this rare opportunity to get out to see the ICP Orchestra.” – Geoff Winston, London Jazz News

 “…considering that this magnificent Dutch band has been swinging for decades, the sheer vitality of its explorations into American and European jazz vocabularies may have caught some listeners by surprise…. Long may they thunder.” — Howard Reich, Chicago Tribune


The world-renowned Amsterdam-based Instant Composers Pool (ICP) Orchestra celebrates the release of its recent CD East of the Sun with a 13-date US tour, May 2 – 17, 2015.  Performances include:

Saturday, May 2 – 
Monday, May 4: Constellation, 3111 North Western Avenue, Chicago, IL 
Tickets: $15 – $20; http://constellation-chicago.com
Mix of performances including ICP Orchestra, mixed groups of ICP players and Chicago players and ICP players with dancers.                                               

Tuesday, May 5: Trinosophes, 1464 Gratiot Avenue, Detroit, MI
8:00 p.m.; http://trinosophes.com; 313-737-6606
Tickets: $10 – $20

Wednesday, May 6 –  
Friday, May 8: Roulette, 509 Atlantic Avenue, Brooklyn, NY
8:00 p.m. each night; http://roulette.org/events; 917-267-0363
Tickets: $25 / $20 students/seniors advance; $30 / $25 students/seniors at door.

Saturday, May 9: Albright-Knox Art Gallery, 1285 Elmwood Avenue, Buffalo, NY
8:00 p.m.; http://www.albrightknox.org/; 716-882-8700
Tickets: $10 / $5 members

Monday, May 11: Caspe Terrace, 33158 Ute Avenue, Waukee, IA
7:30 p.m.; abe@trilixgroup.com; 515-279-6452
Tickets: $35 / $30 advance

Thursday, May 14: The North Door, 502 Brushy Street, Austin, TX
8:00 p.m.; http://www.ndvenue.com/                                                    
Presented by Epistrophy Arts - http://epistrophyarts.tumblr.com/

Friday, May 15: Outpost Performance Space, 210 Yale Boulevard SE, Albuquerque, NM
7:30 p.m.; http://outpostspace.org; 505-268-0044.
Tickets: $25 / $20 members and students

Saturday, May 16: The Royal Room, 5000 Rainier Avenue South, Seattle, WA
7:00 and 9:30 p.m.; http://www.earshot.org/Events/Promo_Pages/promo_2015_05_ICP.html; 206-547-6763
Presented by Earshot Jazz. Tickets: $20 / $18 Earshot members & seniors / $10 students & veterans

Sunday, May 17: Redeemer Lutheran Church, 5431 NE 20th Ave, Portland, OR
8:00 p.m.; Presented by Creative Music Guild: http://creativemusicguild.org
$15 suggested price (but tickets sold on a sliding scale).
Tickets available at http://icpinportland2015.brownpapertickets.com

The 10-piece Instant Composers Pool (ICP) Orchestra has earned worldwide acclaim for its inventiveness, musical genius, and unpredictable stage antics. The group includes world-class improvisersHan Bennink on drums, Michael Moore on clarinet and alto saxophone, Ab Baars on clarinet and tenor saxophone, Tobias Delius on clarinet and tenor saxophone, Thomas Heberer on coronet, Wolter Wierbos on trombone, Tristan Honsinger on cello, Ernst Glerum on bass, Guus Janssen on piano, andMary Oliver on viola and violin.

Since ICP's inception in 1967 and the ICP 001 New Acoustic Swing Duo, the group has toured and recorded widely. It has released a total of 51 recordings, most recently ICP Orchestra (ICP 049) recorded in 3 sessions in 2009,!ICP! 50 (vinyl) and East of the Sun (051), the first release in ICP’s 48-year history without pianist and co-founder Misha Mengelberg. But with guest star Guus Janssen at the piano, a handful of stalwart DownBeat Critics Poll honorees on board, and an astonishing repertoire - a different setlist is written every evening by a member of the band “the music—as rich, wobbly, and unpredictable as ever—is still imbued with [Mengelberg’s] contrary character." (Guy Peters). Out November 15, 2014, East of the Sun is earning the highest praise.  As Bruce Lee Gallanter says in Downtown Music Gallery, "There is something magical and distinctive about this ensemble. They seem to have their hands in a wide variety of influences or genres: cartoon or circus music, traditional Dutch melodies, old school swing/jazz, modern classical arrangements, with lots of unexpected twists and turns and solo[s] or small subgroup sections and free eruptions when you least expect them. The quirky and consistently crafty arrangements by different members of the band (especially Mr. Moore) is/are what makes this band unlike any other…. There is only one ICP Orchestra...each and every release is a treasure.”

ICP’s live performances have earned equal acclaim:

“Tonight’s packed-out, party-atmosphere performance presented the full ensemble cavorting through a trademark mix of free and classic jazz, classical modernism and left-field cabaret. Rough-at-the edges and anarchic, they veered from sublime readings of Ellington and Monk to raucous rabble-rousing and tongue-in-cheek mischief.” – Mike Hobart, Financial Times

"And the Instant Composers Pool Orchestra, from Amsterdam, mixing swing and bop (including Herbie Nichols’ ballad “Spinning Song” and Bennie Moten’s “Moten Swing”) with conducted improvisations and free jazz. But all those ingredients need quotation marks. That nine-piece ensemble, a dynastic family going back to the late 1960s, has some idiosyncratic and brilliant soloists, including the drummer Han Bennink, the saxophonist Michael Moore and the cellist Tristan Honsinger; they are scholars and physical comedians, critics and joy-spreaders." – Ben Ratliff, New York Times

 “If there was a facet of jazz expression that the ICP Orchestra didn't address Wednesday night at HotHouse, it probably wasn't worth mentioning. Practically every twist on the music — from 19th Century ragtime to 21st Century free-form experimentation — eventually came to the fore, and considering that this magnificent Dutch band has been swinging for decades, the sheer vitality of its explorations into American and European jazz vocabularies may have caught some listeners by surprise. Jazz organizations that last this long don't typically convey as much intellectual curiosity, stylistic reach and technical daring as the ICP (Instant Composers Pool) band did in every piece on its first set. Each of the evening's many miniatures, in fact, bristled with strange and provocative juxtapositions of style and musical language, a blues lament giving way to a series of fierce dissonances, an easy swing tempo abruptly interrupted by passages of seeming rhythmic anarchy…Long may they thunder.”— Howard Reich, Chicago Tribune

Percussionist Han Bennink is one of the central figures of modern jazz in Europe. Combining drama and wit with iconoclastic virtuosity and rhythmic imagination, Bennink's performances are a feast for the eyes as well as the ears.  Over the years, he has collaborated with everyone from Eric Dolphy and Johnny Griffin to Myra Melford, Dave Douglas and Eugene Chadbourne. “Han Bennink explodes every drummer cliché, rambunctiously devouring free-jazz bombast and subtle trad swing.” — Ken Micallef, Modern Drummer.

Find the complete ICP history here: http://www.icporchestra.com/history.htm

Braithwaite & Katz
ann@bkmusicpr.com
jazzglobalbeat@gmail.com

domingo, 12 de abril de 2015

Danny Bacher - Advance EP & Upcoming Dates -The Monday April 20 at Le Cirque Cafe, NYC


Danny Bacher!
Upcoming Debut CD "Swing That Music!"
Advance EP features: Warren Vache, Bill Goodwin,
Ray Drummond, Howard Alden, Houston Person & Cyrille Aimee! 
  
April-June Dates Announced!

  

"Newcomer, singer/saxophonist Danny Bacher is getting ready to launch his debut album, Swing That Music!  The disc features an impressive array of jazz luminaries: Ray Drummond, Warren Vaché, Howard Alden, Bill Goodwin, Houston Person, and rising vocal star, Cyrille Aimée.  Rounding out this dream team is Executive Producer Suzi Reynolds and Grammy-nominated Producer Roseanna Vitro."  -JAZZed Magazine  

For a copy of the advance EP, contact:  

To view the full JAZZed Magazine feature,
* * *  
Renowned vocalist and saxophonist, Danny Bacher (pronounced Back-er), shares the stage with veteran entertainer Dominic Chianese (aka Uncle Junior in The Sopranos TV series).  This exciting group will present a classic blend of Italian folk music, the American Songbook and timeless jazz classics. 

Dominic Chianese - aka Uncle Junior  

April 20th, Monday
The Danny Bacher Quartet
Le Cirque Cafe, 7:30-10:30pm
One Beacon Court
151 E. 58th St., NYC
212-644-0202
No cover - more info, click here.

June 16th, Tuesday
Danny Bacher featuring Swing That Music! All Stars!
Metropolitan Room, 7:00-8:00pm
34 W. 22nd St., NYC
212-206-0440
$22.50 and up - reservations recommended
Buy tickets, click here.

June 25th, Thursday 
Danny Bacher featuring Swing That Music! All Stars!
Metropolitan Room, 9:30-10:30pm
34 W. 22nd St., NYC
212-206-0440
$22.50 and up - reservations recommended
Buy tickets, click here.

June 26th, Friday
Danny Bacher featuring Swing That Music! All Stars!
Metropolitan Room, 7:00-8:00pm
34 W. 22nd St., NYC
212-206-0440
$22.50 and up - reservations recommended
Buy tickets, click here.


June 28th, Sunday 
Danny Bacher featuring Swing That Music! All Stars!
Metropolitan Room, 4:00-5:00pm
34 W. 22nd St., NYC
212-206-0440
$22.50 and up - reservations recommended
Buy tickets, click here.




* * * 
More About Danny Bacher & His Upcoming Debut CD "Swing That Music":

SWING THAT MUSIC
 marks the recording debut of an extraordinary talent, vocalist-saxophonist Danny Bacher (pronounced: Back-er). Danny unleashes his substantial chops and signature wit to pay homage to three jazz firebrands - Louis Armstrong, Louis Prima, and Louis Jordan - in a series of kinetic tracks that vibrantly reimagine classics from the three Louis' repertoire for today's audience.

Danny hails from New Jersey and was raised on classic jazz and the American popular songbook. Vocally, he possesses a warm smoky tone; instrumentally, he favors a lush and lyrical soprano sax style that complements perfectly his role as storyteller. Trained in music, theater, and comedy, Danny is a born performer, perfectly poised to summon the spirit and legacies of the three Louis. Danny understands the 360 of entertainment - he's also a proven playwright and comedian who first garnered notice off-Broadway and has toured nationally and internationally with his original work.

   For more information on Danny Bacher,  

Management: Suzi Reynolds

  

Press Contact: Scott Thompson PR
scott@scottthompsonpr.com / 203-400-1818

jazzglobalbeat@gmail.com

jazzglobalbeat@gmail.com

viernes, 10 de abril de 2015

Electric Bassist Mark Egan Reunites with Drummer Danny Gottlieb and Pianist Mitchel Forman release "Direction Home"



Legendary Bassist releases
Super Trio Recording!

Mark Egan-Direction Home

Featuring:
Danny Gottlieb and Mitchel Forman



Mark Egan-Bass
Danny Gottlieb-Drums
Mitchel Forman-Piano
Contemporary jazz bassist and composer Mark Egan has released his 8th recording as a leader on Wavetone Records in a dynamic trio setting featuring master drummer Danny Gottlieb and brilliant pianist Mitch Forman.

While Mark is best known for his work with the Pat Metheny Group, Sting, Joan Osborne, Larry Coryell, Pat Martino and Gil Evans, this recording continues with the trio featuring Mark’s powerful yet eloquent solo playing as well as his special ability to support and provide creative interplay for the highly interactive trio.

Produced by Mark Egan
A Wavetone Production
www.wavetone.com


                                                                                                                 Photo by John Earley
Available from Amazon / iTunes / CDBaby          


Distributed by

 jim@jazzpromoservices.com
www.jazzpromoservices.com

jazzglobalbeat@gmail.com

martes, 7 de abril de 2015

The JOHN TROPEA Band Live April 18th @ Pete's Saloon 10PM Playing Music From new CD "Gotcha Rhythm Right Here"


John Tropea "Gotcha Rhythm Right Here"
(Stp Records 1011)
Special Media Street Date: May 15, 2015

Jim Eigo
Jazz Promo Services
jim@jazzpromoservices.com

jazzglobalbeat@gmail.com