lunes, 20 de agosto de 2018

Carmela Rappazzo New CD “Howlin’ At The Moon” + Upcoming Live Appearances


Appearing Live
With
Oscar Rossignoli-piano, Jasen Weaver-bass, Gerald T. Watkins Jr.-drums, Steve Lands-trumpet plus guests
Friday, September 7th
The New Orleans Jazz Museum
400 Esplanade Ave
New Orleans, LA 70116
www.nolajazzmuseum.org

Friday, September 28th
Buffa’s Lounge
1001 Esplanade Ave
New Orleans, LA 70116
www.buffasrestaurant.com
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 CARMELA RAPPAZZO “HOWLIN’ AT THE MOON”

The quietly expressive singer teams up with New Orleans jazz musicians to introduce eight new songs plus an inventive revival of “Lullaby Of The Leaves.”

Artist: CARMELA RAPPAZZO
Title: HOWLIN’ AT THE MOON (Self Produced)
Artist Website: www.carmelarappazzo.com/ 
Release Date: SEPTEMBER 07, 2018
UPC Code: 191924799467

Track listing and Running Time 
1. Genie In A Bottle Carmela Rappazzo 4:00
2. Keyhole Carmela Rappazzo 4:13
3. Haunted Carmela Rappazzo 5:55
4. Howlin’ At The Moon Carmela Rappazzo 2:46
5. Rush Of Heat Carmela Rappazzo 4:14
6. State Of Grace Carmela Rappazzo 6:28
7. Lullaby Of The Leaves Joe Young/Bernice Petkere 4:22
8. Revenge Carmela Rappazzo 3:17
9. Making My Way Back To You Carmela Rappazzo 4:27

Carmela Rappazzo- vocals. Oscar Rossignoli – piano. Jasen Weaver – bass. Gerald T. Watkins Jr.- drums. Steve Lands- trumpet. Jeronne Amari Ansari – sax. Mark McGrain – Trombone on ‘Keyhole’, ‘Howlin’ At The Moon’. Steve Glenn – Tuba ‘ Howlin’ At the Moon’. Mark Carroll and Paul Sanchez – backing vocals on ‘Howlin’ At The Moon’. Mahmoud Chouki – Lutar on ‘State of Grace’. Pete Snell – Guitar on ‘Genie In A Bottle’.

Carmela Rappazzo, a veteran jazz singer/songwriter, has experienced and observed a great deal about life during her periods living in New York, Los Angeles, New Mexico and New Orleans. She has the rare ability of being able to transform personal stories into memorable music. Howlin’ At The Moon, her sixth recording, pays tribute to her new adopted hometown of New Orleans, her friendship with the late Margaret Whitton (who inspired some of the songs), and her own episodic life which usually has had jazz as its soundtrack. On Howlin’ At The Moon, Ms. Rappazzo is joined by a swinging and supportive rhythm section (pianist Oscar Rossignoli, bassist Jasen Weaver, drummer Gerald T. Watkins Jr.), trumpeter Steve Lands, saxophonist Jeronne Amari Ansari and several guests, most notably Mahmoud Chouki on lutar during “State Of Grace.”

“Genie In A Bottle” introduces Carmela’s distinctive and playful voice in a story that asks if having a genie grant her wishes would result in having all of her problems solved and happiness taking over. Pete Snell guests and takes a quirky guitar solo that adds to the mood. “Keyhole” is a sensuous tale about seeing what happens behind closed doors while the dreamy atmosphere of “Haunted” relates the singer’s painful memories of a past love. “Howlin’ At The Moon,” a New Orleans parade tune with exuberant trombone from Mark McGrain, features the narrator cutting loose from the past, losing her inhibitions, and simply having a great time. “Rush Of Heat” is a swinger that states that having a strong physical attraction is not necessarily love. “State Of Grace,” a spiritual piece in memory of Margaret Whitton, very effectively features Chouki’s lutar and Ansari’s soprano. “Lullaby Of The Leaves”, “Revenge”, a delicious tale of getting even with someone who did the singer wrong, and “Making My Way Back To You” (which has Carmela’s mellow vocal contrasting with the lyrics about a tumultuous journey) conclude the well-rounded and continually intriguing program. Born and raised in New York, Carmela Rappazzo heard classic music from an early age with her father and five uncles being swing musicians. She performed in off-off Broadway Theater and a few independent films before moving to Los Angeles. While in L.A. she worked with several notable film directors and also sang in local clubs with top jazz musicians. She made her recording debut with Black And White (a standards album with the Jon Mayer Trio) and Regarding Frank (a tribute to 1950s Frank Sinatra) with the legendary pianist Paul Smith. Carmela started writing songs, formed her own trio, and recorded mostly new songs on The Girl Who Dreams Out Loud. Her fourth album, Joseph City, mixed together fresh versions of standards with her own originals. During her period in New Mexico, Carmela acted in local theater productions and worked on the feature film A Bird Of The Air. Her 2013 CD Myths and Legends is comprised mostly of her songs about strong and difficult women, and love gone wrong.

A storyteller of picturesque tales and an appealing singer, Carmela Rappazzo is heard at her most creative and appealing on Howlin’ At The Moon, introducing memorable and personal songs that discuss topics that can be related to by a wide audience. 



¡¡Amor & Jazz!!

www.carmelarappazzo.com

jim@jazzpromoservices.com • www.jazzpromoservices.com

www.jazzglobalbeat.blogspot.com        jazzglobalbeat@gmail.com

viernes, 17 de agosto de 2018

Scott Martin "Alone At Sunset" August 27th Release - 50% to Donation!

Scott Martin

Alone At Sunset  

50% To Donation!
Release Date: August 27th

A New Model For A Record Label
Liberian Handshake
Jazz Piano & Vocal Driven  
Liberian Handshake:
A connection that began with the snap of a finger.
This exuberantly musical greeting discovered visiting Peace Corps volunteers in Liberia, Africa became the namesake of a record label dedicated to supporting charitable causes.
Working with a Peace Corps teacher in the rural, seaside community of Grand Cess inspired the goal of establishing a fund to help motivated students attend college. 
Sales of our release, Scott Martin, Alone at Sunset, will donate 50% of net proceeds to educational outreach in Liberia in partnership the non-profit, 
More than Me.
Future releases will aid with other worthy causes chosen by the artists involved. 
ALONE AT SUNSET
Pianist Scott Martin has brought together a vibrant group of singer-songwriters and instrumentalists to create a collection of new, original jazz standards.
Recorded at the legendary Carriage House in Stamford, Connecticut by Grammy®-winning producer/engineer Jay Newland (Norah Jones, Gregory Porter, John Scofield),  Alone at Sunset shimmers with energy and excitement that pull you inside the music, into the performance.
Drawing on influences spanning Thelonious Monk, Bill Evans, Herbie Hancock and McCoy Tyner,  Scott Martin wrote the music for Alone at Sunset and invited his favorite singers to write lyrics based on their impressions of the songs. The result
is an album of a wonderful variety of voices, moods and colors unified by the pianistic and compositional style Scott brings to each piece.

Blending a pop esthetic from his early work with Carly Simon, Mariah Carey and cross-over jazz artists like Michael Brecker and Steps Ahead with his love of the classic jazz of the 50s and 60s, Alone at Sunset offers new music that sounds both fresh and timeless.
Credits:
Scott Martin - piano 
Myles Sloniker - bass
Alwyn Robinson - drums
Danny Meyer - sax 

Vocalists: Josefina Mendez, Robert Johnson, Wellington Bullings,
Ayo Awosika, Dechen Hawk & Tom Weiser 

Produced by Scott Martin with Jay Newland, co-producer
Recorded and mixed by Jay Newland 
Mastered by Mark Wilder at Battery Studios
Recorded at the Carriage House, Stamford CT
*With additional vocals at Alcheh and Hunt, Bouder, CO, Elliot Hunt, engineer.




¡¡Amor & Jazz!!


www.scottmartin.com


www.jazzglobalbeat.blogspot.com      jazzglobalbeat@gmail.com

miércoles, 15 de agosto de 2018

Charles Pillow Pays Homage to Miles Davis on "Electric Miles"

Charles Pillow Large Ensemble Pays Homage to the Electric Era of Miles Davis
Available now on MAMA Records!
“He brings something new, something substantial to Miles' so very important music that is the blood of modern jazz."
- Jerry Gordon, WPRB
Coinciding with the 50 year anniversary of Miles Davis’ 1969 album Bitches Brew, saxophonist, flutist and arranger Charles Pillow celebrates the music of the jazz legend within the 1969-72 period. With the support of his 17-piece ensemble, Pillow draws attention to the music that featured jazz stalwarts such as Herbie Hancock, Chick Corea, Lenny White, Jack DeJohnette, John McLaughlin, Joe Zawinul, Wayne Shorter, Dave Liebman and Dave Holland. Electric Miles centers around compositions from Bitches Brew, Jack Johnson, and In a Silent Way - all skillfully arranged for big band.
The sound of Bitches Brew - the bass clarinet and multiple keyboards - was unheard of at the time. Almost every aspect of this 1969 release was new; the loose, yet guide-post like structures in the music, the post production techniques that Teo Macero used putting it together, the fact that it was a double album, even the liner notes, all pointed to a new direction in jazz.
Commemorating this seminal recording, the Charles Pillow Large Ensemble is joined by special guest saxophonist and Miles Davis alum Dave Liebman on “Black Satin” and “Yesternow”. Trumpeters Tim Hagans and Clay Jenkins are featured as the Miles voice alongside Michael Davis on trombone and Pillow on both alto saxophone and alto flute. Powered by the rhythm section of drummer Jared Schonig and bassist Chuck Bergeron, the band is an array of seasoned pros peppered with younger up and coming musicians. Filling out this ensemble is Colin Gordon (alto sax, soprano sax, flute), Luke Norris (tenor sax, clarinet), CJ Ziarniak (tenor sax), Karl Stabnau (bass clarinet), Abe Nouri (trombone), Jack Courtright (trombone), Gabe Ramos (bass trombone), Tony Kadleck (lead trumpet), Charlie Carr (trumpet), Julian Garvue (electric piano), and Mike Forfia (acoustic bass on “Sanctuary” and “In a Silent Way”).

Originally from Baton Rouge, Louisiana, Pillow studied at Loyola University before pursuing his Masters Degree in Jazz Studies at the prestigious Eastman School of Music, in Rochester, NY. Since moving to NYC in 1987, he has appeared on over 100 recordings with both jazz and pop luminaries such as Frank Sinatra, Mariah Carey, Jay Z, Luther Vandross, Paul Simon, Michael Brecker, Bruce Springsteen, John Scofield, Tom Harrell, Dave Liebman, David Sanborn, to name a few. In addition to an active performing and recording schedule, he is an Assistant Professor of Jazz Saxophone at the Eastman school of Music.


¡¡Amor & Jazz!!


www.charlespillow.com

www.lydialiebman.com       lydialiebmanjazz@gmail.com

www.jazzglobalbeat.blogspot.com         jazzglobalbeat@gmail.com

jueves, 9 de agosto de 2018

Miggy Augmented Orchestra - "Colorful" Release September 6 - Peformance September 30 at Birdland!


on artistShare!

Migiwa "Miggy" Miyajima
Composer, Pianist, Producer
Release Date: September 6, 2018
CD Release Performance:
     September 30th at Birdland! 
   
"A hidden treasure of New York." - Slide Hampton

A story of inspiration. Fearless pursuit of passion.

The key to living a rich and meaningful life is continuous learning and fearless and pursuit of one's passion.  Migiwa "Miggy" Miyajima stepped down as editor in chief of a magazine to become a musician at age of 30.

In 2011 and 2014, she was associate producer for two Grammy® Award nominated albums of the Vanguard Jazz Orchestra. After the 2011 Great East Japan Earthquake, she received a scholarship from the Japanese government to come to New York in 2012. There, she studied with Jim McNeely and Mike Holober. She went on to lead her orchestra at Birdland in 2017, as the first female Japanese big band leader since Toshiko Akiyoshi left in 2003.

In 2018, Migiwa was selected for The Slide Hampton Big Band as its conductor and associate producer. The band plays music of NEA Jazz Master, trombonist, composer and arranger - legendary Slide Hampton.  The first "Colorful" concert will be on September 30, 2018 at Birdland in New York City.
The Band
Composer, Conductor, Producer: Migiwa Miyajima

Trumpets and Flugelhorns: 
Dan Urness, David Smith, Matt Holman, Nadje Noordhuis

Trombones: 
John Mosca, Jason Jackson, Jennifer Wharton (bass trombone), Douglas Purviance (bass trombone)

Reeds: 
Ben Kono (alto saxophone, soprano saxophone, flute, clarinet) Alejandro Aviles (alto saxophone, soprano saxophone, flute, clarinet) Sam Dillon (tenor saxophone, flute, clarinet)
Quinsin Nachoff (tenor saxophone, clarinet)
Carl Maraghi (baritone saxophone, bass clarinet)

Rhythm Section: 
Jeb Patton (piano, except 2 and 9)
Migiwa Miyajima (piano, on 2 and 9)
Jared Schonig (drums)
Pete McCann (guitar)
Yosuke Terao (bass)
Tomoko Nagashima from Orange Pekoe (voice on 9)
Jay Messina; recording Engineer/ Mixing Engineer, Greg Calbi; Mastering Engineer
Recorded and Mixed at Sear Sound, NYC, USA Mastered at Sterling Sound, NYC, USA


Steinway Hall (l-r) Jason Olaine, Scott Thompson, Miggy, Elio Villafranca, Brian Camelio.
Migiwa Miyagima Notes:

Migiwa’s career path began in Tokyo on a very different trajectory—she worked as a director of real estate ads, an IT engineer, and then an editor-in-chief of a travel magazine. But in 2004, at the age of 30, she decided to become a musician. Five years later, the Vanguard Jazz Orchestra, a historic New York–based ensemble, recognized Migiwa’s talent and invited her to produce their Japan tour, which she has done every year since. She was associate producer for two Grammy Award nominated albums by the orchestra in 2011 and 2014. In 2012, having received a Japanese government scholarship and a Japan-US Friendship Commission Fellowship, Migiwa made her move to New York. She now leads her own big band, Miggy Augmented Orchestra. July 2017 marked Migiwa’s first appearance at Birdland. She was the first female Japanese big band leader to perform there since the legendary Toshiko Akiyoshi in 2003.  Her orchestra’s debut album Colorful will be released by ArtistShare in 2018. She also composes for various other artists and media outlets, such as, Steve Wilson, The Birdland Big Band, as well as nation-wide Japanese radio station - Nippon Hoso Broadcast.




¡¡Amor & Jazz!!

www.miggymigiwa.net


www.jazzglobalbeat.blogspot.com      jazzglobalbeat@gmail.com

martes, 7 de agosto de 2018

Wayne Powers Album Release Party Tuesday, August 7th 7 PM - 10 PM The Union Cabaret & Grille , Kalamazoo, MI


The Union Cabaret & Grille
125 S Kalamazoo Mall,
Kalamazoo, Michigan 49007

Event Info
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 Acclaimed Actor, Comedian, Voice Over Artist, Radio Personality Returns to his Jazz Vocalist Roots with New CD, “If Love Were All”
 

 Artist: WAYNE POWERS
Title: IF LOVE WERE ALL
Label: KABOCKIE RECORDS
Artist Website: http://waynepowers.com
Release Date: AUGUST 3, 2018
UPC Code: 8-88295-77835-0
 

 Track listing and Running Time 
1. Never Let Me Go - 2:51 Livingston/Evans 
2. You’ve Changed - 3:14 Carey/Fischer 
3. All Of Me - 4:12 Simons/Marks 
4. Body And Soul - 3:54 Green/Heyman/Sour/Eyton 
5. Lush Life - 3:33 Strayhorn 
6. When Your Lover Has Gone - 4:26 Swan 
7. Willow Weep For Me - 4:22 Ronell 
8. You Don’t Know What Love Is - 4:28 de Paul/Raye 
9. If Love Were All - 2:29 Coward 
10. Just in Time - 3:04 Styne/Green/Comden 
11. East Of The Sun (West of the Moon) - 3:17 Bowman 
12. I Only Have Eyes for You - 3:28 Warren/Dubin 
13. Time After Time - 3:28 Cahn/Styne 
14. Smile - 3:30 Turner/Parsons/Chaplin

 Wayne Powers vocals, Ziad Rabie tenor sax, Keith Davis piano,
Ron Brendle acoustic bass, Al Sergel Drums

 Life goes by too quickly. It’s hard to believe that it’s been 25 years since Wayne Powers recorded his last CD, “Plain Old Me” with his Los Angeles “Hoi Polloi” band in 1993. But simple math can be unforgiving. In the intervening quarter century, Powers’ life has been full with both the poignant and the joyous — as all lives are. Over the last few years, Wayne has been busy working on getting his “chops” back up with the idea of returning to the studio and giving voice to the last 25 years of life and love as he’s lived it and felt it. “I’ve got so much inside me still left unsung,” says Powers, “and so, with The Great American Songbook as my script, I’ve chosen some truly classic, compelling tunes which speak deeply to me and, hopefully, to you. Some you’ll know and a few you may not be familiar with — yet.”
 
The result is Powers’ personal yet universal saga of love lost and love found. We’ve all been there. Each tune on this album explores with authenticity a different aspect of an eternal story you’re sure to recognize. There’s a choice array of torch songs, or what Wayne and other crooners call ‘Saloon Songs’ — heartfelt ballads that will bring to mind a jukebox, wet quarters and soggy dollar bills in some dimly lit barroom. And then there are those uplifting tunes of love’s pure, unbridled joy. It’s all captured on this album. Wayne says, “I’m excited and honored to work with some top-flight jazz musicians on this live-in-studio recording: Ziad Rabie, Sax. Keith Davis, Piano. Ron Brendle, Acoustic Bass. Al Sergel, Drums.” This is a magical combination of talent that makes each of the 14 tunes sparkle and resonate in their own unique way. Powers invites you to “...share in the musical and lyrical truth, love and joy which we all brought to this special project, appropriately titled, “IF LOVE WERE ALL.”


¡¡Amor & Jazz!! 

www.jazzglobalbeat.blogspot.com           jazzglobalbeat@gmail.com

martes, 31 de julio de 2018

Pianist/ Composer Alex Clough Announces Release of Debut Album "Near, Far, Beyond" this saturday 08/04/2018 at Smalls Jazz Club, NYC

After spending over a decade honing his craft as both a sideman and a leader, pianist and composer Alex Clough is now proud to announce the release of hisdebut album Near, Far, Beyond. Due to be released on Friday, October 5thNear, Far, Beyond showcases eight original tracks featuring Clough alongside David Smith on trumpet, Steve Kortyka on tenor saxophone, John Tate on bass and Jay Sawyer on drums. Arranging half of the album for piano trio and the other half for quintet, Clough presents this recording as a reflection upon his vast experiences as a musician, human and world traveler. Clough will begin the album release celebrations with a pre-release concert at Smalls Jazz Club, NYC on Saturday, August 4th at 4:30pm, as part of the Smalls Showcase Series.

Over the course of performing as a professional musician for the past ten years, Alex Clough has had some time to actively reflect upon the personal significance of creating his own music. Although uncertain that there is any sort of tangible, concrete and definable “meaning” or “value” in the act, for the pianist, sharing his own music with others satisfies a personal and pure yearning. The SUNY Purchase graduate explains, “I’ve occasionally sat down at the piano and, with my most earnest efforts, written songs to put what I have thought, seen and learned in this world into sound - to make these things a little more real so I can share them with listeners. I’ve used all sorts of source material as inspiration for these compositions; ideas developed over years of improvisation, movements of dancers that I’ve accompanied, specific images and ambiences that I’ve seen and dreamed of and relationships I’ve developed over the years.  Though the album channels disparate moods, times and places, I feel that is tied together by a subtly strong thread.”

Near, Far, Beyond opens with “Swirl” - a tune inspired by the powerful yet lithe aesthetics of the John Coltrane quartets of the 1960’s and Branford Marsalis groups of the 80’s and 90’s. With its titular significance linked to a street in Bay Ridge, Brooklyn, “Shore Road” attempts to capture the undulating, calm nature of this particular road and the waters it runs alongside.“Red Shades” is the funkiest tune on the album that takes its inspiration from the sunglasses of bassist James Robbins, a good friend of Alex’s and great bassist. While this tune isn’t a homage to James, stylistically, his shades and the personality behind them did inspire Clough to write a groovy tune that travels through different textures. Although Clough has yet to visit Cherrapunji - the northeastern state of Meghalaya in India - the eponymously named tune brings attention to the region’s famous “land bridges”. Constructed by trees grown specially to serve as natural crossings for the inhabitants of the region, the beauty of this coexistence between human and nature served as Clough’s inspiration for this piece. Another stand-out track from the album is “Free, Free, Free” - Clough’s first ever composition wrote in the spring of 2009, reflecting a cry that still rings true today. “We’re often shackled by the technological innovations we purportedly crave and I think we all really seek freedom in our lives, freedom from real or imaginary constraints thrust on us.”

With the support of this talented group, Alex Clough is excited to introduce himself and share his personal reflections with listeners on this debut album.

ALEX CLOUGH Notes:
Alex Clough is a pianist, educator and composer born and bred in Brooklyn, NY. Exposed early on to great music, Alex took an interest in the piano and drums as a child, eventually taking lessons and participating as a high schooler in the All City Concert Band and NJPAC's prestigious Jazz for Teens Program. After graduating with a B.A. from Tufts University in Economics and International Relations and an M.M. from SUNY Purchase in Jazz Studies, Alex embarked on a still-unfolding journey to find his place in New York City's world famous jazz scene. Over the years, Alex has pursued numerous musical interests. As both sideman and leader he has played at a wide array of great venues, including Birdland, Lincoln Center, the United Nations, Le Poisson Rouge, SOBs, the Rainbow Room, Cornelia Street Cafe, Rockwood Musical Hall and Joe's Pub. He has served as musical director for Nightingale Jazz Band, Recovery House of Worship and jazz and opera vocalist Marie-Claire Giraud. Other pursuits include accompaniment work for the Metropolitan Opera Guild, dance accompaniment at Mark Morris Dance Group, NYU, Mason Gross School of the Arts and Montclair State University, and sideman work with stylistically eclectic music groups in New York City, playing styles that range from instrumental jazz to burlesque to hip hop to Iranian punk rock. 




¡¡Amor & Jazz!!


www.alexcloughmusic.com

www.lydialiebman.com          lydia@lydialiebmanpromotions.com

www.jazzglobalbeat.blogspot.com        jazzglobalbeat@gmail.com

viernes, 27 de julio de 2018

Rebecca Angel What we had New CD and Up Coming Live Appearances


 
Saturday September 8, 2018- 
7 pm Wednesday, September 26th  
Appearing at
Barnes & Noble Café- Restaurant-Bar
680 White Plains Road
Scarsdale, NY 10583

New CD
Rebecca Angel "What we had"
(TIMELESS GROOVES RECORDS RA143)
Street Date: August 3, 2018
Jason Miles keyboards, Fender Rhodes, Moog bass, pads, and percussion, Dennis Angel flugelhorn, Gottfried Stoger flute, Hailey Niswanger soprano saxophone, Sebastian Stoger cello, Jonah Miles Prendergast guitar, Christian Ver Halen guitar, Ricardo Silveira acoustic rhythm guitar, James Genus acoustic bass, Reggie Washington bass, Adam Dorn bass, Mino Cinelu percussion,
Cyro Baptista percussion, Brian Dunne drums
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Rebecca Angel's voice makes the difference. With her refined charm, she gives the songs on What We Had the overwhelming splendor.
Hans-Bernd Hülsmann www.smooth-jazz.de

Jason Miles' work playing, producing, arranging, and guiding some terrific musicians in support of this must-hear chanteuse brings a real sense of warmth to the work. WHAT WE HAD is a real treat, and Rebecca Angel's voice and writing are superb evidence of an artist with a very bright future ahead of them. -Chris Gibson Broadway World
 
Talented young singer Rebecca Angel has released her first EP the memorable “What We Had”, an innovative set of fresh and heartfelt music.

The 22 year-old vocalist has an appealing and captivating voice. Using jazz as her base to explore different grooves, she collaborated with Grammy-winning Jason Miles, who produced recordings of celebrity artists including Miles Davis, Grover Washington Jr., Luther Vandross, etc. Jason is producer and arranger of “What We Had”, her debut EP, Miles and other top-notch musicians accompany her with a variety of backgrounds that showcase her soothing and distinctive voice at its very best.

In addition to Miles’ keyboards, the six selections (plus two remixed performances) utilize such fine musicians as soprano-saxophonist Hailey Niswanger, guitarists Ricardo Silveira, Jonah Miles Prendergast and Christian Ver Halen, bassists James Genus, Reggie Washington and Adam Dorn, drummer Brian Dunne, percussionists Mino Cinelu and Cyro Baptista, cellist Sebastian Stoger, flugelhornist Dennis Angel and flutist Gottfred Stoger. Rebecca excels at singing heartfelt lyrics and showcases her innovative scatting.

Rebecca’s version of the rarely performed Hoagy Carmichael gem “Winter Moon” features interplay between the singer and Niswanger on saxophone, catchy Latin rhythms and a haunting melody. 

Rebecca co-wrote the minor-toned and nostalgic “What We Had” with her father Dennis Angel and guitarist Prendergast, a celebratory look at the past.

The Brazilian vocalese “Agora Sim” puts the focus on her instrumental ability in unison with Jonah’s guitar.

 “Feel Alive”, which was also co-written by Rebecca, is a superior pop tune that is both funky and infectious.

Leiber and Stoller’s “Stand By Me”, heard in both radio and electro mixes, has a tight bass-drum rhythm, dynamic keyboards, a bluesy vocal by Rebecca and some natural and creative scat-singing.

The program closes with the first-ever vocal recording of Marcos Valle’s 2005 instrumental hit “Jet Samba” which is given both a radio and an electronic Ipanema mix.

Rebecca Angel has loved music all of her life. She remembers her father introducing her to the recordings of Louis Armstrong, Ella Fitzgerald, Peggy Lee, Elvis and the Beatles, Astrud Gilberto and Sade, all of whom became inspirations in her eclectic style.  She graduated with a degree in Vocal JazzStudies from Ithaca College and has performed at the Iridium, The Metropolitan Room and CaféNoctambulo in New York.

Rebecca Angel creates consistently memorable musical statements throughout “What We Had”, with her substantial talents, a very impressive debut.



¡¡Amor & Jazz!!

www.rebeccaangel.net

www.jazzpromoservices.com       jim@jazzpromoservices.com

www.jazzglobalbeat.blogspot.com         jazzglobalbeat@gmail.com

sábado, 14 de julio de 2018

Jared Gold “Reemergence” CD Release Shows

Jared Gold – organ 
Dave Stryker - guitar
Billy Hart - drums
Joel Frahm - tenor sax


Friday & Saturday August 24-25
Smalls

83 W 10th St
New York, NY 10014
www.smallslive.com

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Jared Gold “Reemergence”
(Strikezone Records 8817) 

Jared Gold - Hammond B3 organ, Dave Stryker-guitar, Billy Hart - drums, Jeremy Pelt - trumpet, flugelhorn  


DownBeat Magazine Editor's Pick

Bobby Reed
Most jazz fans have encountered the unfortunate scenario of being thrilled by the names on an album cover but then being disappointed by the music. That is definitely not the case with the new leader project from Jared Gold, which showcases the versatile organist and his all-star band: guitarist Dave Stryker, drummer Billy Hart and trumpeter Jeremy Pelt. Stryker, who also produced the album, has a 14-year history with Gold, and his simpatico rapport with the organist spices up the proceedings, as each musician frequently adds clever coloration when the other is unleashing a sturdy solo. Hart—whose subtle brushwork is just as mesmerizing as his powerful stick-work in this program—demonstrates the mastery that has made him a legend. Pelt, who adds potent brass to three tracks, elevates this disc: Without him, these sessions might have yielded a memorable trio disc, but with him on board, the result is one of the strongest straightahead discs of the year thus far.

This band certainly can burn, as evidenced by the title track (which was penned by the leader), but a poignant reading of The Beatles’ “She’s Leaving Home” reflects Gold’s ability to tug at the listener’s heartstrings with a melancholy mood. Gold has curated a wonderful, eclectic program that features two Gershwin tunes (“It Ain’t Necessarily So,” “How Long Has This Been Going On”), Ornette Coleman’s “Blues Connotation,” Stevie Wonder’s “Lookin’ For Another Pure Love” (from 1972’s Talking Book) and “One For John A,” a swinging, original tribute to the late guitar icon John Abercrombie, with whom the organist worked for years. Gold and Stryker can ignite fireworks at will, but on this rendition of “It Ain’t Necessarily So,” both musicians coax a vocal timbre out of their respective axes. Nicely done, gentlemen.

Jeff Know-Audiophile Audition

...this is a CD that will be loved by Hammond fans, and highlights Gold’s talents as both a creative organist as well as arranger. His talents have matured and hopefully we’ll see more exploratory efforts from Jared well into the future.

Dick Metcalf  contemporaryfusionreviews.com
Jared Gold hoppin’ Hammond B3 jazz Jared Gold – REEMERGENCE:  Without doubt, Jared is one of THE best Hammond B3 jazz players .

Dee Dee McNeil LA Jazz Musical Memoirs
Billy Hart, on drums, fuels the first and title tune, “Reemergence” composed by the featured artist, Jared Gold. Gold is a fresh, jazz -organ, recording artist making waves on the East Coast. This is his eighth recording, and he’s surrounded himself with a group of excellent musicians to support his musical concepts. Dave Stryker is not only a proficient guitarist, but a record producer with his own label, a composer and a very busy New York musician. Drummer, Billy Hart, is legendary and was once the drummer of choice with the great Jimmy Smith. Trumpeter, Jeremy Pelt, is a refreshing addition to the organ trio. The first thing that stands out about Jared Gold is his ability to take familiar songs like Stevie Wonder’s “Lookin’ For Another Pure Love’ or the Lennon/McCartney standard, “She’s Leaving Home” and turn them into harmonically fresh works of art. Gold’s creativity with harmonics is formidable. Gold started out as a piano player, but quickly found his expressive niche on the organ. He was born in Englewood, New Jersey February 27, 1980 and has worked extensively with Oliver Lake and John Abercrombie. This ninth album as a leader solidifies his unique approach to his instrument and his excursions into arrangements that are unique, like the title tune that roots itself in an unusual fourteen-bar blues pattern. On the tune, “Sweet Sweet Spirit” he takes us to church. Songs like “Ornette Coleman’s Blues Connotations” show the listener that he can groove with the best of them and also gives Hart an opportunity to break free and exuberantly solo on the drums. Jared Gold comes into sight and prominence once more, just like the title of this CD proclaims.

Jonathan Widran JWVIBE
Recently voted the Top Rising Star on organ in an annual Downbeat poll, NYC based B-3 visionary Jared Gold fashions a dynamic through line to the generation of jazz organ that inhabits his muse by including, on his Strikezone debut Reemergence, legendary drummer Billy Hart, who got his start in the 60s with Jimmy Smith.

Ensembling again with guitarist Dave Stryker (who also produced), and adding trumpeter Jeremy Pelt to the fold, Gold creates an explosive melodic and rhythmic master class on the organ’s wide-ranging possibilities. He re-imagines Stevie Wonder, The Beatles, Gershwin, an Ornette Coleman blues classic and a renowned church song – but saves his most imaginative expressions for his easy swinging tribute to John Abercrombie (who he played with for a few years) and Stryker’s adventurous closer “Nomad.”  

Jared Gold Notes:

Organist Jared Gold's emergence as one of the  New York area's most in-demand  musicians  comes from years  of dedication and respect to his instrument.  With  such notable     influ-ences as Larry Young , Jack McDuff, and Don Patterson to draw upon as a foundation, the emphasis on finding  his own voice has now clearly taken precedence and  required Gold to construct his own unique philosophy based on extending harmony and solidifying the groove. 
Gold's latest release, titled Metropolitan Rhythm (2015, Posi-Tone), features his working trio of veteran guitarist Dave     Stryker and up-and-coming drummer Kush Abadey.  Gold ties together big cities from New York to Sao Paulo with three new compositions and some wonderful remakes of familiar  songs by a broad spectrum of composers including Paul McCartney, Thelonious Monk, Filó Machado, and Joe  Henderson. 
Following the successes of his previous seven releases, all on Posi-Tone, Jared has accu-mulated  many accolades, including  winning the 2013 Rising Star  on Organ critics  poll in DownBeat Magazine. 
His first seven releases are Solids & Stripes (2008), Supersonic (2009), Out Of Line (2010), All
Wrapped Up (2011), Golden Child (2012), Intuition (2013), and
JG 3+3 (2014). 
With the powerful combination of his obvious talent, the blessings of an affable personality and his  unbelievable versatility and musicianship on the bandstand, Gold has  been pro-vided with the opportunity to work with  many established veterans and can be seen performing regularly  with his  own group and appearing steadily alongside in the working groups and recordings of John Abercrombie, Dave Stryker, Oliver Lake, Ralph Bowen and David Gibson. 
Gold, a New Jersey native and graduate of William Patterson




¡¡Amor & Jazz!!



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